07-26-2012, 03:28 PM
This story is about an actual effects miniature rather than a replica.
In April I responded to a post looking for help building a model spaceship for a short film. Since the project was in New York, I referred this to my friend Rick Ingalsbe who lives in that state. After some discussion, we decided I would build the model and he would paint it. A budget was set and design work commenced.
We treated this project as special because in this era of computer effects spaceships are nearly always built as CG models. It seemed the days of starship miniatures in the film industry were long gone. After this project is done, who knows when we might get to see another physical model being filmed flying through space.
The producers were really easy to work with and the design process took about 6 weeks. In that time, I made a detailed computer mockup to help me prepare precise patterns for constructing the model.
There were some serious design challenges for this spaceship. Four of the main engines (there are seven of them in total) are positioned at 12 O'Clock, 3 O'Clock, 6 O'Clock, and 9 O'Clock on a large ring structure. This meant any mounting points (called "pick points") aft of these engines would get illuminated by their lights. Mounting the model for filming would be difficult.
As if that was not enough, during the film the ship was to separate into different stages. This meant they needed three separate sections that could be filmed either separately or together. As a result, I would not be able to make one continuous armature to support the entire model. Wiring for each stage would also have to be separate.
The final challenge was the overall size of the miniature. Because they had limited space available for filming, they wanted a model no longer than about four feet. For a design this complex, that proved to be the most serious challenge. There were numerous lighting effects and all kinds of wires and fiber optics that needed to be crammed inside a very small space. In the end, we felt more like surgeons than model builders!
Construction commenced June 8. I enlisted the help of two good friends who volunteered to work with me on the project. Little did we know what we were getting ourselves into. If this model had been ten feet long, it would have been much easier to build!
More than six weeks later, we have most of it completed and we are now in the final detailing stage. My crew stuck with me through the entire process, frustrations and all. The model would never have reached this stage of completion so quickly had it not been for their extreme dedication and tireless effort.
I'm very pleased with how the model has turned out. It's taken a lot more time than originally anticipated. But, in the end, it looks like we may have something very special. I am proud of what we have accomplished so far, and I look forward to getting this ship in its crate and on the way to New York for final painting very soon.
Once again, I must give my sincere thanks to my faithful crew, Richard Lindstrom (aka "Richard_2001") and Preston Kabinoff for all their hard work on this project.
In April I responded to a post looking for help building a model spaceship for a short film. Since the project was in New York, I referred this to my friend Rick Ingalsbe who lives in that state. After some discussion, we decided I would build the model and he would paint it. A budget was set and design work commenced.
We treated this project as special because in this era of computer effects spaceships are nearly always built as CG models. It seemed the days of starship miniatures in the film industry were long gone. After this project is done, who knows when we might get to see another physical model being filmed flying through space.
The producers were really easy to work with and the design process took about 6 weeks. In that time, I made a detailed computer mockup to help me prepare precise patterns for constructing the model.
There were some serious design challenges for this spaceship. Four of the main engines (there are seven of them in total) are positioned at 12 O'Clock, 3 O'Clock, 6 O'Clock, and 9 O'Clock on a large ring structure. This meant any mounting points (called "pick points") aft of these engines would get illuminated by their lights. Mounting the model for filming would be difficult.
As if that was not enough, during the film the ship was to separate into different stages. This meant they needed three separate sections that could be filmed either separately or together. As a result, I would not be able to make one continuous armature to support the entire model. Wiring for each stage would also have to be separate.
The final challenge was the overall size of the miniature. Because they had limited space available for filming, they wanted a model no longer than about four feet. For a design this complex, that proved to be the most serious challenge. There were numerous lighting effects and all kinds of wires and fiber optics that needed to be crammed inside a very small space. In the end, we felt more like surgeons than model builders!
Construction commenced June 8. I enlisted the help of two good friends who volunteered to work with me on the project. Little did we know what we were getting ourselves into. If this model had been ten feet long, it would have been much easier to build!
More than six weeks later, we have most of it completed and we are now in the final detailing stage. My crew stuck with me through the entire process, frustrations and all. The model would never have reached this stage of completion so quickly had it not been for their extreme dedication and tireless effort.
I'm very pleased with how the model has turned out. It's taken a lot more time than originally anticipated. But, in the end, it looks like we may have something very special. I am proud of what we have accomplished so far, and I look forward to getting this ship in its crate and on the way to New York for final painting very soon.
Once again, I must give my sincere thanks to my faithful crew, Richard Lindstrom (aka "Richard_2001") and Preston Kabinoff for all their hard work on this project.
Charles Adams | www.StarshipBuilder.com | Follow me on Facebook
Author, MODEL DESIGN & BLUEPRINTING HANDBOOK, Volume 1 SECOND EDITION NOW AVAILABLE
Author, MODEL DESIGN & BLUEPRINTING HANDBOOK, Volume 1 SECOND EDITION NOW AVAILABLE

